Now these images have nothing to do with the Montauk project, but they is a stong association with Montauk and England via Aleister Crowley who performed a Magickal experiment on August 12, 1943, the Anniversary of the Philadelphia experiment at Men-Al-Tol in Cornwell, England. I would receive an astonishing letter several months later that would close the case as regards whether or not the Wilson brothers had existed. It was from a man named Amado Crowley who claimed to be an illegitimate son of Aleister Crowley. Not only did he remember his father talking about the Wilson brothers. but he also provided clues which revealed that the odds of his lying ahout his parentage were nil.
Amado not only verified the existence of the Wilson brothers, he gave a spectacular account of his father's whereabouts on August 12, 1943 (the day of the Philadelphia Experiment). Aleister had directed a magical ceremony at Men-an-Tol in Cornwall, England where a large donut style rock lays upright in the water. According to Amado, Aleister put him through the hole in the rock whereupon a line of rough water ran from the coast of England to Long Island, New York.
12:12
This beautiful formation has appeared at Wayland Smithy on this day August 12th, The number 12 is significant within this design.
The revelation came when we counted the outer sections of the pattern, and realised the full significance. There is a clear and concise message here, as I’m sure it was no coincidence to turn up on the 12th August. This important formation with regard to its numerology, not only signified that this date was part of the message, but also of the overall design. On closer inspection of the design, there is a remarkable resemblance to Gothic Architecture, especially Rose Windows, seen in many cathedrals from the 13th Century throughout many parts of Europe.
Rose windows utilise geometry on three levels: manifest, hidden, and symbolic. The 12 divisions throughout this Crop Circle design that are also typically found on Rose Windows all point to the finite and infinite, Earth and Heaven, or matter and spirit, and of course the 12 Disciples.
Numbers had a metaphysical significance in the 13th Century, which is why they incorporated them into the Architecture at the time. The same can also be said for the Crop Circle phenomenon today as this latest Wayland Smithy design demonstrates.
Are we just like the Pilgrims from centuries ago, gazing in wonder and raising subconsciously our awareness of the Divine?
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